The Art of Recitation
February 23rd, 2008 by Ruby3881Has the art of recitation gone out of vogue? I can remember as a schoolgirl being taught to recite mnemonics that would help with spelling or pronunciation of words newly encountered: “When two vowels go walking the first one does the talking,” we were taught to say. I remember as early as first or second grade, being taught how to make a formal introduction and the class having to practice it until we all had it right for parent-teacher night. I remember, too, being assigned a Shakespeare soliloquy to learn in high school. I never attended a school in which students were made to recite addition facts or times tables mechanically, but we did repeat a number of French verbs over and over until we knew them. And later this was the way we learned to decline our Latin nouns.
Recitation is a tool long used in education, but one I suspect has fallen out of use in today’s schools. Yes rote memorization of facts can be quite boring, and it has lost favour among teachers who understand learning that takes place in a meaningful context is more likely to be effective. All the same, there are certain things that really do have to be memorized in the long run. Addition facts and times tables, grammatical facts such as the gender of a given noun in a foreign language, the conjugation of an irregular verb, irregular spellings in English. Even if a mnemonic device is used to make the learning easier, these things really are being committed to memory so they can be quickly recalled on command when needed.
Memory is not much emphasized among young people today. We have computers, hand-held devices and calculators to do our work for us. Some schools are actually teaching kids in first grade to use a calculator to do their math for them; later on college professors are frustrated at the large number of their students who cannot solve a simple arithmetic problem without the aid of a calculator. Many adults can’t balance their own cheque books. We program important phone numbers into our phones, so we won’t have to remember them. When the electricity goes out shopkeepers caught without a calculator are unable to do business until the power is restored.
Our ancestors used their memory much more effectively than we do today, especially in the times before widespread literacy. They remembered facts and recipes, did mental computations, and committed whole histories to memory. We may have made our lives more convenient with all of our technological innovations, but we also have a whole generation of young people who are not learning to rely on their own mental abilities because something outside of them can do the work just as easily. I wonder, with our growing concern over memory loss in aging, can it do us any good as older folks to have neglected the exercise of our memories as young people?
[I]t is not impossible that posterity may write us down a generation blest with little imagination, and, by so far, the less capable of great conceptions and heroic efforts, for it is only as we have it in us to let a person or a cause fill the whole stage of the mind, to the exclusion of self occupation, that we are capable of large hearted action on behalf of that person or cause.
~ Charlotte Mason, Home Education: vol 1, pp152-53
But my concern for the art of recitation is not solely about the mechanics of what our young people might be missing. It’s also about the loss of an art. If you have ever had the pleasure of listening to a talented orator speak, or a classically trained actor deliver a particularly challenging monologue, you are appreciating the art of recitation. If we take into consideration that the quote just above was written in the 1880’s, and think how much more capable our own parents or grandparents were at doing things like mental computation and memorization, it does cause us to ask how much worse off our own generation and our children’s are.
Schoolchildren have traditionally been made to learn a piece such as “In Flanders Fields” or the Gettysburg Address, but this seems to be less a priority these days. One reaction I commonly encounter when I discuss recitation - and this goes back some decades to my own high school days - is that it’s just too difficult for kids to learn a poem or a speech. If your kids are anything like mine, it doesn’t take much to know this in not true. Find any subject that is of interest to your child, and ask him about it. Whether it be music or Hollywood movies, sports or animals, your child is likely to be a goldmine of information about this subject. Children can rattle off statistics, summarize the plots of a dozen movies, and sing you all their favourite songs, and even recite tracts of text they’ve learned from reading or watching documentaries about a subject of special interest.
All children have it in them to recite; it is an imprisoned gift waiting to be delivered, like Ariel from the pine… out of the woodenness of even the most commonplace child steps forth the child-artist, a delicate sprite, who shall make you laugh and make you weep.
~ Charlotte Mason’s Home Education: vol 1, p.223
Yes, children recite naturally! The word recite comes to us from the Latin, and it literally means to summon forth again. In other words to store information and later recall it. Kids are practicing recitation when they learn nursery rhymes, or how to sing their ABC’s. Hearing something interesting over and over again - especially in a fun, informal setting - makes it very easy for kids to commit it to memory. This is essentially what Charlotte Mason called for when she prescribed recitation as one of the components of a good education: she had learned that any number of things could be committed to memory if they were read to a child in a rather informal manner, especially if this were done when the child was preoccupied with some other activity such as combing his hair.
The Charlotte Mason method for learning recitation is simply to choose a selection appropriate to the child, and to read it aloud at various times. Repeat it at odd times of the day until the child begins to say it along with you, and continue to do this until he can say the entire piece by himself. For good measure, it’s best to return to pieces already learned every now and again so they aren’t forgotten as new ones are learned. A good way of scheduling readings is described at Simply Charlotte Mason. They refer specifically to memorizing scripture but this system will work for anything from nursery rhymes, to inspirational quotations or song lyrics, to poetry.
Even very young children like to hear beautiful words, and they are capable of learning anything they can understand. Spending just a few minutes at a time, up to five or ten minutes a day, will yield surprising results. A two- or three-year-old can learn nursery rhymes with little effort. An older child can learn a poem from her literature selection, or the lyrics to a folk song. After a few days or a week the child will be able to recite the piece by himself, and this with pride! My youngest (not quite four) likes to show off when grown-ups come to visit. Now, Ms Mason would have us wait until a child is six to begin any formal training including recitation, but if you think of how even younger children easily learn to recite a suitable selection like a nursery rhyme or fingerplay, you can see that asking older children to learn to recite from memory is not such a huge or daunting task.
Recitation has several benefits for our children. It exposes them to quality literature (poems, songs, speeches, scripture, etc.) and allows them not only to appreciate but to emulate the patterns that they best enjoy. Like oral narration it also prepares them for public speaking, which could mean anything from delivering an oral presentation to an examiner or taking a job interview, to giving a toast at a formal occasion or speaking before a large audience. Recitation gives our children a repertoire of suitable pieces from which to draw if called upon to speak without time for preparation. It familiarizes them with patterns (e.g. meter, rhyming scheme) common in verse, and also with expressions used in the past that may seem archaic today. Mastering a recitation is a source of pride and self-confidence. Learning a variety of pieces allows a young person to expand vocabulary and to “try on” different idioms or styles of diction.
One of the things we teach our children at the Freehold is that not so very long ago, people had to rely on themselves for their entertainment. There was no internet, no television or film; go back far enough and there wasn’t even radio. People learned to sing, to play an instrument, to dance - and yes, to recite. One of my best loved fictional characters, Anne Shirley, had learned several pieces of poetry “by heart” before she arrived at Green Gables. After passing her entrance exam to Queen’s Academy, Anne recites “A Maiden’s Vow” at a benefit concert in White Sands (in the Kevin Sullivan movie, the piece selected is “The Highwayman.”) This is an excellent demonstration of the use of recitation as a form of entertainment.
I would encourage parent-educators and classroom teachers alike to find a few minutes for recitation in their daily lessons. As do narration and copywork, it offers a great deal of value for our children, for a relatively small investment of time and effort. It is both a pleasure, as a parent, to hear our children delivering a beautiful recitation, and a source of pride that our little ones are well on their way to becoming well educated ladies and gents who will have a skill that has grown rare in our time. In the words of Charlotte Mason:
[I]n the coming days, more even than in our own will it behove every educated man and woman to be able to speak effectively in public; and, in learning to recite you learn to speak.
~ Charlotte Mason’s Home Education: vol 1, p.224
This work was created by Ruby of Freehold 2, and is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 2.5 Canada License.
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